Special Issue on Israeli Cinema - "Cinema Production in Israel: The Other, Representations, and the Colonial Narrative"
Israeli cinema, much like its global counterparts, wields a distinctive influence in shaping public opinion, reinforcing mainstream narratives, and molding collective imagination. However, a critical examination of Israeli cinema within the context of Israel's settler-colonial system is crucial to unravel the intricate ways in which films have functioned as tools to reinforce settler narratives and perpetuate anti-indigenous ideologies.
As we explore the diverse voices emanating from Israeli cinema, the inherent paradoxes and contradictions in film production become evident. While some films unreservedly align themselves with the Israeli narrative, others courageously present critical perspectives on the Israeli-Palestinian conflict, either intentionally or unintentionally. These works occasionally adopt an apologetic tone, indirectly acknowledging the injustices faced by the Palestinian people.
In this thought-provoking edition of Qadaya Israeliya (Israeli Affairs), titled "Cinema Production in Israel: The Other, Representations, and the Colonial Narrative," we delve into the multifaceted role of Israeli cinema in shaping elusive narratives, constructing fabricated representations, and perpetuating certain truths through storytelling. By scrutinizing these complexities, we aim to foster a deeper understanding of the profound impact of Israeli cinema on the collective perception of the Israeli-Palestinian conflict.
Within the pages of this special issue, we explore how Israeli cinema indirectly grapples with national, historical, and social issues. Often concealed within the fabric of daily life and "common pain," these films frequently frame the Palestinian cause within the confines of the prevailing Israeli narrative, at times overlooking and marginalizing the rights and narratives of the Palestinian people.
Through the critical analysis, insightful commentary, and thought-provoking debates contained in this issue, we invite our readers to contemplate the potential of cinema to effect social and political change. By spotlighting the complexities and contradictions of Israeli cinema, we hope to inspire dialogue, challenge mainstream narratives, and cultivate a more nuanced perspective on the Israeli-Palestinian conflict.
This issue features several compelling articles that illuminate various aspects of Israeli cinema. Samah Bsoul examines a group of Israeli documentaries focusing on the army, Anar Berminger explores the notion of "representation" in Israeli cinema, Salim al-Beik delves into the theme of "Military Rule in Palestinian Cinema," and Professor Amira Emara analyzes tendencies of "Ashkenization" in Israeli Mizrahi literary production, among other contributions. We believe this collection will contribute significantly to the ongoing discourse on Israeli cinema and its role in shaping perceptions and narratives.
